Don’t Follow Me

The film “Don’t Follow Me” arrives at a time when horror increasingly responds to social media culture and performative digital bravery. Fear here does not come from ancient curses, but from the desire to be seen and recognized. The film stands out by using the internet not as a backdrop, but as a core mechanism of horror, exploring the line between staged content and real danger, when the hunger for views outweighs self-preservation.

The central conflict focuses on control and responsibility for a created illusion. The main character manipulates fear for popularity, but gradually loses control over her image and the consequences of her actions. Evil does not appear suddenly — it seems to answer the call for attention. The film reflects on guilt that forms during the creation of tragedy, and the fear of losing control over what you set in motion yourself. The protagonist’s identity blurs between persona and real individual exposed to danger.

The film will appeal to viewers interested in modern horror with a digital context and themes of media dependency. It speaks to those drawn to stories about hype, visibility, and voluntary exposure to danger for likes and views. It may resonate particularly with audiences familiar with pseudo-documentary videos and online horror stories. However, viewers expecting classic supernatural horror with clear rules and slow atmosphere may find it too tied to current social media culture.

There are also drawbacks. The pacing is uneven, and much of the tension relies on repeated filming and surveillance scenarios. Some techniques may feel predictable for found footage and internet horror. The intentionally simple visual style enhances realism but reduces cinematic impact. “Don’t Follow Me” is not a universal horror film, but a commentary on fear we willingly invite into the frame.